Margery Louise Allingham (May 20, 1904 – June 30, 1966) was born in Ealing, London to a family of writers. Her father, Herbert John Allingham, was editor of The Christian Globe and The New London Journal, while her mother wrote stories for women’s magazines. Margery’s aunt, Maud Hughes, also ran a magazine. Margery earned her first fee at the age of eight, for a story printed in her aunt’s magazine.
Soon after Margery’s birth, the family left London for Essex. She returned to London in 1920 to attend the Regent Street Polytechnic (now the University of Westminster) and met her future husband, Philip Youngman Carter. They married in 1928. He was her collaborator and designed the cover jackets for many of her books.
Margery’s breakthrough came 1929 with the publication of her second novel, The Crime at Black Dudley. The novel introduced Albert Campion, although only as a minor character. After pressure from her American publishers, Margery brought Campion back for Mystery Mile and continued to use Campion as a character throughout her career.
This mystery sees Albert Campion visiting his sister, Val, who is the top designer at a fashion house. Their family approves of neither of them, but the way. Val has been working on dresses for the actress Georgia Wells. Campion has found the skeleton of Georgia’s former fiance in a …
My problem with Dancers in Mourning is that while the plot itself is well-done, Campion is not his usual self. He’s over-emotionally involved and it’s affecting his decisions and involvement with the case. To start off, Campion visits the theatre with ‘Uncle’ William Faraday, who has found his mostly fictional …
“The main thing to remember in autobiography, I have always thought, is not to let any damned modesty creep in to spoil the story. This adventure is mine, Albert Campion’s, and I am fairly certain that I was pretty nearly brilliant in it in spite of the fact that I …
On a beautiful morning in 1911, Tom Barnabas, a director of the publishing firm Barnabas and Company, left his London house and walked down the street. Somewhere along that street, before he reached the tobacconist’s shop on the corner, he disappeared. His disappearance was never explained – or solved. Twenty …
I do have a fondness for mysteries involving art. In Death of a Ghost, a young artist is killed at the showing of a painting, not his painting, one of his mentor’s, Lafcadio. Lafcadio, before he died, left instructions to have one of his paintings that he had boxed up …
I’m a fan of Albert Campion. I like how he pretends to be a little dull and inoffensive, but is really pretty brilliant, daring and rather charming. The bad guy in Sweet Danger knows him pretty well too. Savanke went on impassively. “I know your success, your association with Scotland …
