Some books are like good meals, rich and worth savoring. Some are more like popcorn, light, fun and forgettable. I like both, but The Scam definitely falls into the second category. The plot is a bit over-the-top as are the characters, but that's part of the charm. And the writers/narrator know it. They take us on this trip from Hawaii to Vegas to Macau with a sense of humor even in the midst of dangerous situations. It's funny and action-filled and just a blast. Brick does a great job at the narration, keeping a light edge and letting us know that even the though the characters may take themselves seriously, we shouldn't.
This is the fourth in the series and we know the formula pretty well by now. Kate and Nick have a bad guy in their sights. they get a team of together, including Willie, who can drive anything, and Boyd, an actor who takes his parts very seriously, Jake, Kate's dad,...
Dead Wake is not a book I would usually pick up. I don't tend to read much non-fiction and I actively avoid war books, but I've enjoyed Larson's books in the past and his "narrative non-fiction" style works for me. He tells the story with a personal touch, not just a recitation of facts. This one is pretty fascinating, the boat itself, the people on board, and all the events in the outer world that conspired against them.
I listened to this one on audio and Brick did a good job. He kept me interested, made it exciting and tension-filled. There were a lot of people, but it's non-fiction, so there wasn't really any dialogue to worry about. The individuals were heard through their journals and letter, which doesn't require any distinction voices.
There are a lot of people involved in the story of the Lusitania, from the captain, crew and passengers, government officials on both sides of the Atlantic, to the...
Fictional detectives fall into many categories; the competent police force detective, male or female; the female amateur of so many light cozies, who may or may not have a bit of magic about her; the former professional who still "helps" with the occasional case; and the competent private investigator are just a few. Harry Hole is the anti-hero, a type of detective I'm drawn to. He's competent, but that's almost his downfall. He's so tenacious, like a pit bull with a bone, that even when he's sent on this sensitive case that everyone want to just go away, he digs and digs through all the muck and muddle to get to the truth. He's an alcoholic and develops a taste for opium, he is haunted by memories and by the unsolved rape of his sister who has Downs' syndrome. He's in a bad spot, so the folks in charge send him off to Thailand, figuring the drunk cop has no...
I really enjoyed Night Film and I have to say that it kept my attention all the way through, which at over 23 hours is pretty impressive. McGrath was not my favorite of the characters. I didn't exactly understand his obsession, but I did like the two young adults who are his side-kicks. Their reasons for caring made more sense to me. He just let a story overtake him, their concerns are more personal.
It's a long books and tends toward sprawling in places. It meanders and we follow trail after trail that (maybe) go nowhere. It's not a novel with answers, just more questions. And that's even before McGrath (maybe) loses touch with reality a bit. I have to say I really liked the whole set-up and the way reality mirrored fiction portraying reality - maybe. I guess it's one of those stories where I just went along for the ride, let Pessl lead me down the alleys she wanted to. I loved her...
Ah, the lives of the rich. Wine and food and wonderful scenery. And a house so marvelous someone is willing to kill you for it.
That's about all there is to this mystery. I was never really worried about Reboul, since Sam is clearly too smart to let anything happen to his friend. There's no real question who the bad guy is, but for someone as connected and careful as Vronsky is, his plan is foiled easily.
It's a short audiobook and the narrator does an okay job with all the characters and accents, from French to Russian to American to whatever Elena is, but my mind kept wandering. There was a lack of tension, no need for clues. The food sounded delicious, but aside from that there isn't much else to keep my attention. The characters are two-dimensional. The mystery is pretty much non-existent and the solution to the problem is too easy. I started to say it's okay if you just need something...
Short stories are always tough to talk about - I want people to know why I did/didn't enjoy it, but I don't want to give away too much. It's even tougher when it's a prequel to a series that I've read all the rest of, like this one.
The Shell Game details Nick Fox and Kate O'Hare's first meeting. Nick's a con-man/thief and Kate's FBI. HE's charming, she's dedicated. They're both intelligent and good-looking, although I'm not sure you get a feel for how attracted they are to each other in this mini-episode. Nick gets to show off his cleverness, Kate gets to show off her ability to see through him, but I missed their interactions with each other that are so much of the fun in the series.
Scott Brick does a good job as always as the narrator. His tone of voice fits the story, not melodramatic, but not straight either. Does that make sense. He knows the type of story...