Narrator: Peter Kenny
Published by Redhook on April 4, 2017
Length: 12 hrs 22 mins
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Charlie has a new job. He gets to travel, and he meets interesting people, some of whom are actually pleased to see him.
It's good to have a friendly face, you see. At the end.
But the end of all things is coming. Charlie's boss and his three associates are riding out, and it's Charlie's job to go before.
Sometimes he is sent as a courtesy, sometimes as a warning. He never knows which.
Charlie is the Harbinger of Death. It’s his job. He’s a mortal, has no super powers except a support staff at an office somewhere who are great at making reservations, getting him across borders and out of jail, and paying ransoms. He meets good people and terrible people, and sometimes he’s sent for ideas or ways of life and not individuals. He celebrates Life and we travel with him.
That’s what we do, we see what he sees, hear what he hears, including random snippets of conversation, go where he goes. We’re with him when he meets people, gives them gifts, tells them he is the Harbinger and sometimes he comes as a warning and sometimes as a courtesy. We’re with him as he listens to people’s life stories and when he is beaten and held prisoner. After all, not everyone is happy when the Harbinger of Death shows up; some are though. Yes, sometimes we see slices of the lives of the other Harbingers – each Horseman has one, and sometimes we see what War or Pestilence, or Famine is up to, but mostly we’re with Charlie. This is a very character and idea driven novel. It touches on so many current issues, war, racism, immigration, environmental change, guns. People can be a dreadful lot at times, but they can also be kind, and loving, and hopeful. And who knew Death could be such a likeable guy?
I loved the story. I listened to the audio version. Her writing is beautiful and touching and descriptive and Kenny was the perfect narrator. His voices during the snippets of conversations set them apart nicely. His Charlie was spot on, humorous at times, but so scared at others and just British enough. In a book with so many characters who only show up for a scene or two, he does a great job giving each his/her own personality, own inflections.
The End of the Day doesn’t really have much of a plot, though, and it’s rather slow. It’s a series of events and they do connect, but it doesn’t follow a traditional structure. It’s more about the ideas and viewpoints than about what happens next. For me it worked. I don’t know if it will for everyone.