Night Film by Marisha Pessl

I really enjoyed Night Film and I have to say that it kept my attention all the way through, which at over 23 hours is pretty impressive. McGrath was not my favorite of the characters. I didn't exactly understand his obsession, but I did like the two young adults who are his side-kicks. Their reasons for caring made more sense to me. He just let a story overtake him, their concerns are more personal. It's a long books and tends toward sprawling in places. It meanders and we follow trail after trail that (maybe) go nowhere. It's not a novel with answers, just more questions. And that's even before McGrath (maybe) loses touch with reality a bit. I have to say I really liked the whole set-up and the way reality mirrored fiction portraying reality - maybe.  I guess it's one of those stories where I just went along for the ride, let Pessl lead me down the alleys she wanted to. I loved her...
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A Colder War by Charles Cumming

Maybe it was a mistake to listen to this one so soon after The Cairo Affair since they are both spy thrillers, but I found A Colder War more annoying than anything. You have Kell, a train agent in his 40s who knows the game, knows the people, knows how it all works. You have Amelia, his boss, who has called him back to look into Wollinger's death and then do some searching for the mole. She's obviously intelligent, and also, we're told, his actual friend. So far, so good. Amelia's keeping info from Kell, but he's doing the same things. They can't trust the Americans, but have to pretend to cooperate with them. Standard spy stuff and it could have been a good thriller. Until The Girl enters the picture and Kell apparently loses his mind. He becomes obsessed, or "in love," and stops thinking clearly. And I just wanted to smack him.  It's obviously not going to be in his...
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The Cairo Affair by Olen Steinhauer

It's been a while since I've read a good espionage book. I've read a couple of barely mediocre ones, but that's beside the point. My library had The Cairo Affair available on audio and the title rang a bell, so I borrowed. Turned out that was a really good choice. It's nice to start of the new year with a winner. The story is told through several viewpoints, but it was always clear whose eyes we were seeing situations through. It was interesting, although not surprising, how much the same event could vary from viewpoint to viewpoint. The characters were all real, there were not over the top superagents, no too good to be true loyalists, no overly intelligent office worker able to predict everything. They are all doing the best they can given their abilities, limited knowledge and resources. Okay, maybe "the best" is not quite true, because we do have people willing to kill, to betray their country and...
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Letter to Zev in The Book of Zev from his author, Marilyn Horowitz

Have you ever wanted to write a letter to a character in a book? What would you say to that character? Would you sympathize with their plight, or set them straight? Our guest today, Marilyn Horowitz, author of The Book of Zev, wrote a letter to one of her main characters, Zev. Zev Bronfman, a strapping 32-year old-virgin, angry atheist, refugee from a religious Jewish life, and former engineer for the U.S. Patent Office in Alexandria, Virginia, drives a cab and sleeps around in New York City. And the trouble he gets himself into and must get out of makes for a wild ride with his co-conspirator Sarah. Sarah Hirshbaum, a beautiful, redheaded, depressed, God-hating kosher chef, seesaws between yoga and too much red wine. Keep reading to see what Horowitz says to Zev. Dear Zev, Thank you for inspiring me to write this book. Thank you for being such a cooperative and helpful character. I was troubled by your crisis of faith and wonder...
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Balancing Life and Writing, a guest post by Paul DeBlassie III, author of The Unholy

Today, I'm happy to welcome Paul DeBlassie, author of The Unholy, to my notebook. He's sharing a bit about the importance of balance in his life. Balancing Life and Writing by Paul DeBlassie III Balancing life and writing is a matter of listening to the energy coming from self, family, and friends so that nothing tips more one way than the other and the creative juices stay flowing rather than being depleted by excessive writing and are therefore constantly in a state of being replenished. I had a music teacher who once told me to practice or play up to the point that I feel bored, that the energy for it has been spent, and then to stop for the day. That’s what I do with writing. I stay with it, hit the page running each day, and go for as long and with as much intensity as I have for the scene that I’m writing. Then, I stop. And, if I don’t...
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